LYD Reviews - Let the Media Speak
It's only natural that we like how the LYD monitors sound. After all we did put a lot of efforts into creating them and didn't launch before they sounded exactly the way we wanted them to.
But of course a second opinion is always great. So with that in mind, we'll hand over the mic to the editors...
LYD 7 Sounds Magnificent
Recording Magazin in Germany chose to take a hard look at and listen to LYD 7 that sits right in the middle of the original LYD range.
“All the possible settings have a subtle influence on the sound of the LYD 7. Everything else would have been a shame, because this can be said in advance: The LYDs sound magnificent.”
Consistent through a Wide Range of Volumes
"I appreciated that the low end, and the frequency response overall, were consistent through a wide range of volumes — a valuable trait when evaluating how mixes will perform in the real world, and also to avoid listening fatigue in longer sessions.
Moreover, I found the highs to be very pleasing, detailed, but never harsh, even after extending listening."
Read More: TapeOp Magazine Review...
Extremely Natural and Organic
"I was immediately drawn to its overall clarity across the entire spectrum.
Once the mix sounds right on the LYD 7, it will likely sound right everywhere else, too. The bottom line is, I felt my mixes improved after using the LYD 7... these monitors challenge you to work harder, but the end result speaks for itself."
Read More: Recording Magazine Review...
Absolutely Fantastic to Put a Spotlight on a Mix
Guitar Interactive is as the name suggests mainly a guitar publication, but they also include studio equipment with a focus on the home-recording guitarist.
"When it comes down to putting a spotlight on a mix, I thought they were absolutely fantastic. iIf you're looking for new monitors, put them on your short list."
Read More: Guitar Interactive Review...
LYD 7 Makes Mixing Easy
LYD took part in a Group Test and finished only second to a pair of speakers at twice the price. Unfortunately the review is not available in full online, but here are the key takeaways from Future Music's review:
"The focus is on a meaty mid range that doesn’t turn harsh, making it easy to mix less forward elements, especially reverb tails, quickly and audibly."
Among other mentions are "solid stereo image with good off-axis response" and "excellent bass".
Awesome Transient Response
"I immediately noticed the monitors’ outstanding depth and imaging, including a rock-solid phantom center. The transient response was also awesome, and not because of peaky high-frequency reproduction; the highs sounded smooth and were non-fatiguing."
- Michael Cooper, Mix Magazine
Audiofanzine Makes LYD 7 Its New 7" Reference
"The near-field monitors of the Danish manufacturer are back with a new name and finish, although they do bear a resemblance to the old BM series. (...) Fortunately, the audio performance is still excellent, and that's what really matters!"
Read More: Audiofanzine Review...
Excellent Clarity Even at Very Low Volumes
DJ and electronic music magazine Resident Advisor's Declan McGlynn spent some quality time with LYD 8 on the test bench - and liked what he heard.
"Not only will you hear a 1dB cut in a crowded frequency range, it allows you to make decisions faster and move quickly through the mix process, a benefit that cannot be overstated."
Read More: Resident Advisor Review...
All Pros - No Cons
The German online magazine Amazona.de gave LYD 7 a thorough test and concluded that they simply sound amazing:
"Right from the start, what struck me the most was the phenomenally detailed resolution. These speakers provide a detailed image that is rarely heard."
Read More: Amazona Review...
Engineering Integrity = Classy and Capable
Sound on Sound is one of the largest and most respected magazines in pro audio and recording. We are proud to say that they really liked what they heard when they broke in a pair of LYD 5 and LYB 8.
Please stay tuned as we will of course share a link to the full review when it becomes available online. Until then here is short excerpt from the SOS review...
Read More: Sound on Sound Review...
Near Field Size. Main Monitor Sound.
Near Field Size. Main Monitor Sound. That was more or less the essence of Pro Tools Expert's conclusion when they took in the full LYD range for a detailed review.
As James Ivey points out, each model shines in its own way and is ideal for significant purposes, so there is a pretty good chance that one of the LYD models will appeal to and be ideal for your studio.
Read More: Pro Tools Expert Review
Exceptional Degree of Clarity
MusicTech put LYD5 and LYD8 on the review test bench and signed off with a 9/10 rating and a 'Choice' award. The rating almost speaks for itself, but to sum up briefly, they sure liked what they heard:
"Both have an exceptional degree of clarity across these ranges with pinpoint detail on the soundstage – in fact, I couldn’t fault them."
Read More: MusicTech Review
A Genuine Danish Delicacy
German magazine, Bonedo, reviewed all 3 LYD models. In short, they conclude that they preserves the classic Dynaudio virtues: The design is modern, the standard of craftsmanship is high and the sound is immaculate and very transparent.
"Those looking for an honest and 'un-hyped' sound can definitely find it here."
Read More: Bonedo Review
Commendable Vocal Clarity
Audio Media International tested the LYD 7 personal reference monitors and found vocals to have commendable clarity regardless of the source, including Alison Krauss, Tony Lewis and ZZ Top.
"The crossover frequency of the LYD 7 is quite high for a two-way at 4.3kHz (I would typically expect something up to an octave lower), so the woofer is working harder than usual to cover the critical vocal range. This it did with aplomb – female and male voices alike coming through with commendable clarity."
Read More: Audio Media International Review
Studio Master Daniel Miller on Dynaudio Speakers
Daniel Miller is a legendary producer and the founder of the independent record label Mute Records. A label that brought us acts such as Depeche Mode, Moby, Nick Cave & The Bad Seeds and many more.
Miller is also a proud advocate of our speakers (he has used BM15s for as long as he can remember, and still uses them in his London and Berlin studios), and he has strong opinions on personal reference monitors:
"I’d rather just have one pair of speakers that I trust. And I don’t need to hear them really loud. I just need to hear them clearly – that’s the most important thing”